About
Twelve years ago I did my first bridal face in my mother's living room with a twelve-shadow palette and far too much confidence. Six hundred faces later, the confidence is earned — and the palette collection has its own room.
My philosophy is simple: makeup should look like you, on your best day. I spend the first twenty minutes of every booking just looking — at your bone structure, your skin, the way you smile when you're not posing. The makeup follows from there.
When I'm not in the studio at 12 Rosewater Lane, I'm on set for editorial work, teaching the next generation of artists in our masterclasses, or writing far too many words about skin prep on the journal.
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